2 10 60 https://carmichaeldigitalprojects.org/ireland/files/original/dcf26c94b5ced0a478111b2e3869d5e4.jpeg 72c4bd2a6c0ba3d9ab5d90bb242bcead Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Massacre at Drogheda Date A point or period of time associated with an event in the lifecycle of the resource 1868 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1649 Creator An entity primarily responsible for making the resource Henry Doyle Description An account of the resource This Image depicts the slaughter of innocents during the Siege of Drogheda in 1649. Though Cromwell gave no specific orders that civilians were to be killed, he did order that anyone who bore arms be cut down, and as a result, many innocent people perished. Source A related resource from which the described resource is derived AN ILLUSTRATED HISTORY OF IRELAND From AD 400 to 1800. Subject The topic of the resource art Rights Information about rights held in and over the resource Public Domain Contributor An entity responsible for making contributions to the resource Kayla Kotke Attack Battle Cromwell Drogheda Massacre https://carmichaeldigitalprojects.org/ireland/files/original/7dfbac46d56b1f8f34702b46f2df1caf.jpg 9c3af5e3561ff4e575c9652fd7599b01 https://carmichaeldigitalprojects.org/ireland/files/original/dc063074c132965e04d8834d5fcf5890.jpg 38d5f35f999cfa2187f92d52e7a46317 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource De Valera the Neutral Date A point or period of time associated with an event in the lifecycle of the resource 1932-1948 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1932-1948 Creator An entity primarily responsible for making the resource Hulton Getty Description An account of the resource Even though there seems to be some ill ideas about De Valera, he does deserve the benefit of the doubt. He stated multiple times that his purpose for neutrality was to keep Ireland safe. De Valera stated, “We are fully aware that this policy does not guarantee the country immunity from attack. There is always the possibility of attack should one side or the other decide, during the progress of the war, that the circumstances are such that the resultant advantages to the hostile invasion need be feared from one side only. But, so long as we are neutral, there is a possibility that the danger of attack may be averted; whilst, if we invite military assistance from one side, immediate attack by the other side, with al it consequences, will be almost inevitable” (Keogh 114-115). It is confusing to decipher De Valera’s true intentions during the war; his actions often sway hard one way or the other. De Valera’s actions were the object of much scrutiny and laughter. It can be seen in things such as this political cartoon, that one can see what the rest of the world thought. They felt that he would overlook the human rights of other countries just to keep his own country afloat. It is difficult to discuss De Valera without being swayed to feel one way or the other about him. This is obvious in literature about him. The important thing is to try to understand why he may have acted the way he did. Perhaps then, can we understand the actions of De Valera. Source A related resource from which the described resource is derived Jackson, Alvin. <em>Ireland</em>, 1798-1998. Oxford, UK: Blackwell Publishers, 1999. Second World War in Northern Ireland. "Belfast Blitz Then &amp; Now." 2014. http://www.ww2ni.webs.com/belfastblitzthennow.htm (accessed 25 Feb 2014). Keogh, Dermot. <em>Twentieth-century Ireland</em>. New York, N.Y.: St. Martins, 1994. Lydon, James F. The Making of Ireland. London: Routledge, 1998. Subject The topic of the resource Politics Rights Information about rights held in and over the resource Hulton Getty Contributor An entity responsible for making contributions to the resource Kelsie Cagle De Valera neutrality political cartoons Politics World War II https://carmichaeldigitalprojects.org/ireland/files/original/0c28e29423776fc70e4b4292fad999c7.jpg 55c16c94c3b92a4f8a0873c809ba8e2a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cairo Gang Date A point or period of time associated with an event in the lifecycle of the resource November 21, 1920 Creator An entity primarily responsible for making the resource Hulton Getty Description An account of the resource The Cairo Gang were undercover British spies who provided information to the British on activities of the Irish Republican Army. Many of these men were assassinated on<br />21 November 1920. Source A related resource from which the described resource is derived www.en.wikipedia.org Subject The topic of the resource War Rights Information about rights held in and over the resource Hulton Getty Contributor An entity responsible for making contributions to the resource Stacy Adams Britain Cairo Gang Ireland Politics War https://carmichaeldigitalprojects.org/ireland/files/original/ee3223fe5e200be0defbb4fd4d3aabb6.jpg 2942cf28657a3f00417e2b14443b3dda Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Cork Society of Friends' Soup House.' Date A point or period of time associated with an event in the lifecycle of the resource January 16, 1847 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant January 16, 1847 Creator An entity primarily responsible for making the resource Illustrated London News Description An account of the resource This is an illustration published in the Illustrated London News on January 16, 1847. The illustration depicts the Society of Friends Soup House in Cork County. The Society of Friends, also referred to as Quakers, quickly saw the need for relief in Ireland as soon as they heard about Ireland distressing state. They responded by establishing relief funds and committees. One of their relief efforts included opening Soup Kitchens across Ireland. Their soup kitchens, along with others, helped feed those suffering from starvation. For more information regarding the Society of Friends relief efforts during the Irish Potato Famine and how they began their efforts refer to item number 37: "Distress in Ireland". The generosity of the Quakers was given freely and without the practice of required religious pledges. Relation A related resource Soup kitchens (of houses in the Quaker's case) Source A related resource from which the described resource is derived University College Cork, Ireland ( <a href="http://multitext.ucc.ie/d/Image_The_Cork_Society_of_Friends_Soup_House">http://multitext.ucc.ie/d/Image_The_Cork_Society_of_Friends_Soup_House</a> ) Subject The topic of the resource Art Rights Information about rights held in and over the resource Illustrated London News Contributor An entity responsible for making contributions to the resource Lydia G. Godwin Famine Aid Great Famine Private Famine Relief Quakers Society of Friends Soup House https://carmichaeldigitalprojects.org/ireland/files/original/1f5e7832338e621e9a3d9f8fbada6686.pdf 40d06f776de15ef3fcdb8847f273d058 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Anglo-Irish Treaty Date A point or period of time associated with an event in the lifecycle of the resource December 6, 1921 Creator An entity primarily responsible for making the resource Irish and English Delegates Arthur Griffith Lloyd George Description An account of the resource The Anglo-Irish Treaty, signed on December 6, 1921, ended the Irish War of Independence. The delegations that created the treaty were led by Irishman Arthur Griffith, Griffith's second Michael Collins, and Englishman Lloyd George. Much to the relief of the Irish, the treaty successfully ended the war and created the Irish Free State. However, there was heavy opposition to the treaty as well. Irishman and leader of the Irish Republic, de Valera, did not approve of the Free State or its undermining of his and Pearse's Republic. In addition, the treaty still required an Irish oath of allegiance to the crown. De Valera had initially been invited to London to take part in the negotiations, but Griffith had been sent in his stead per the decision of the Dáil Cabinet. De Valera's un-involvement heavily influenced his rejection of the treaty. The tensions between those who accepted the treaty and those in opposition eventually helped lead to the Irish Civil War in 1922. Language A language of the resource English Source A related resource from which the described resource is derived The National Archives of Ireland, http://treaty.nationalarchives.ie/document-gallery/ Tierney, Mark, and Margaret MacCurtain. The Birth of Modern Ireland. Dublin: Gill and MacMillan, 1969. Print. Subject The topic of the resource War Rights Information about rights held in and over the resource The National Archives of Ireland Publisher An entity responsible for making the resource available The National Archives of Ireland Format The file format, physical medium, or dimensions of the resource PDF Contributor An entity responsible for making contributions to the resource Adelyn Gillon Sinn Fein The Irish Civil War The War of Independence treaty War https://carmichaeldigitalprojects.org/ireland/files/original/8ba7ab6515fc83444d036c51e7eaf636.png 32bf7d81dc5ed255d94d9fc4f220c669 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data proclomation Physical Dimensions The actual physical size of the original image 394x599 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Easter Proclamation of 1916 Date A point or period of time associated with an event in the lifecycle of the resource 1916 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Easter uprising Creator An entity primarily responsible for making the resource Irish Volunteers Irish Citizen Army Description An account of the resource The 1916 Easter Proclamation was the document that stated that Ireland was no longer part of the United Kingdom this act was the starting point for the Easter Uprising. The Republican leaders which included Patrick Pearse took control of the general post office in order to announce this proclamation to the people. Language A language of the resource English Language Relation A related resource Beginning of the Easter Uprising Source A related resource from which the described resource is derived Irish republic Subject The topic of the resource History Rights Information about rights held in and over the resource Irish People 1916 Easter proclamtion Easter Uprising IRA https://carmichaeldigitalprojects.org/ireland/files/original/107a0b37a3ba5310b2c56e2ad1c3f534.pdf ec330d5fb693b13e412d7452c3c33750 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archbishop John Allen of Dublin Date A point or period of time associated with an event in the lifecycle of the resource 1904 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1476-1534 Creator An entity primarily responsible for making the resource James Gairdner Description An account of the resource Archbishop John Allen was killed after Silken Thomas’ attack on Dublin Castle. Allen tried to escape the castle, but was run aground in Clontarf. He hid for a while in a friend’s estate, but was eventually found and put to death. Thomas Fitzgerald claimed that the death of Archbishop Allen was an accident for he had only told his men to take him away. His men apparently misunderstood his orders and immediately murdered him. The murder of Archbishop John Allen was a turning point in the rebellion of Silken Thomas. Many people of Ireland, being Catholic, did not like Fitzgerald’s brutality towards the cloth. One main reason Fitzgerald started losing support for his rebellion after the attack of Dublin Castle was the murder of Archbishop John Allen. Language A language of the resource English Relation A related resource Dictionary of National Biography, Errata (1904) Source A related resource from which the described resource is derived Wikimedia: http://en.wikisource.org/wiki/Index:Dictionary_of_National_Biography._Errata_(1904).djvu Subject The topic of the resource Religion Contributor An entity responsible for making contributions to the resource Andrew Cromer Dublin Castle Earl of Kildare John Allen Rebellion Thomas Fitzgerald https://carmichaeldigitalprojects.org/ireland/files/original/19f3806166c8dcd41288f0d88982d418.jpeg e125be30a161c8ddf38c8f7a0a02f55a Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource End of the Tryth Invasion or The destruction of the French Aramda Date A point or period of time associated with an event in the lifecycle of the resource December, 1796 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant [London] : H. Humphrey, 1797 January. 20th., shows the French Armada being blown off the cost of Ireland in December 1796 Creator An entity primarily responsible for making the resource James Gillray Description An account of the resource This painting shows the inability of the French Armada, to land on the Irish coast with over 14,000 seasoned troops who were going to be the spearhead of the Irish -French invasion of Ireland in December 1796. This inability made possible the destruction of the Irish by the British in the 1798 Irish rebellion. The French Amanda avoided detection by the British fleet, only to be beaten back by the strong storms of the North Atlantic. This event became a satire with the British as it saw what it consider the evil deeds of both the Irish and French when it came to opposing the British. The troops that did not land in Ireland was dispersed and fought in the revolutions that were springing up in France at this particular time in history. Without this aid, the Irish in 1798 was ill equipped to handle the better trained and well-armed British troops that they faced in the rebellion of 1798. Language A language of the resource English French Irish Source A related resource from which the described resource is derived End of the Tryth Invasion or The destruction of the French Aramda Relation A related resource End of the Irish Invasion ; — or — the Destruction of the French Armada by James Gillray. Subject The topic of the resource War Rights Information about rights held in and over the resource End of the Irish Invasion ; — or — the Destruction of the French Armada by James Gillray. Publisher An entity responsible for making the resource available Library of Congress, Prints & Photographs Division, LC-USZC4-8768 Contributor An entity responsible for making contributions to the resource Robert K. Chaisson Type The nature or genre of the resource painting culture French in Ireland Irish Rebellion 1798 Politics Theobald Wolf Tone War https://carmichaeldigitalprojects.org/ireland/files/original/d23915cd1c4d1986d998dfd8f4b95743.jpg 0e2fb13a1b911e1122432ae9b6f265d8 https://carmichaeldigitalprojects.org/ireland/files/original/24cfa398600f4d9e7094d3db8f87e124.jpg 38e6203146618264c4d256f88f9e402a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famine National Monument Date A point or period of time associated with an event in the lifecycle of the resource 1997 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1845-1852 Creator An entity primarily responsible for making the resource John Behan Description An account of the resource This is a monument commemorating the 150th anniversary of the Famine. It was unveiled by the President of Ireland at the time Mary Robinson. Although there are several monuments and memorials dedicated to the victims of the Great Hunger this memorial depicts the infamous 'Coffin Ships' that transported the poor Irish victims of the famine to America and Canada. The Irish in this bronze sculpture are depicted all around the ships as dead souls. The artist chose to depict them in this manner because the Irish had a very high chance of death aboard these ships to make it to a new life without starvation in America or Canada. Sadly many Irish had to make the hard choice of 'Stay in Ireland and die' or 'take the ship and probably die', the life of the Irish was very bleak during this era. This memorial is at the Croagh Patrick in Murrisk, county Mayo in Ireland, it is one of the more haunting memorials dedicated to the famine. Source A related resource from which the described resource is derived Wikimedia Creative Commons Subject The topic of the resource Art Rights Information about rights held in and over the resource Graham Horn Contributor An entity responsible for making contributions to the resource Amanda Dison Coffin Ships death Irish Potato Famine Monuments Poor https://carmichaeldigitalprojects.org/ireland/files/original/a85dc786b08bc30faa8ddbd3c03bf18c.jpg 02f6c52c29107dfe0f106850dd6f4f9c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Beer Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur Guinness Date A point or period of time associated with an event in the lifecycle of the resource 1725-1803 Creator An entity primarily responsible for making the resource Karen Eland Description An account of the resource Arthur Guinness was born in 1725 in Celbridge, Kildare. His God father was Arthur Price the Archbishop of Cashel, who subsequently Arthur Guinness was named for. When the Archbishop died in 1752 he left Arthur and his father £100 each. With this money Arthur opened his first brewery in Leixlip, about ten miles outside of Dublin. On December 31, 1759 Arthur signed a 9,000 year lease for the brewery on James's Street in Dublin. It was here that he started the brewery known as Guinness. Arthur married Olivia Whitmore who was an heiress of Dublin who gave him 21 children, but only 10 would survive to adulthood. It was at this brewery that Arthur decided to stop brewing Ale and begin brewing Porter. This decision opened up all kinds of doors for him. When Arthur died in 1803, his brewery was worth £23,000, and his son Arthur Guinness II inherited everything. Language A language of the resource English Source A related resource from which the described resource is derived Guinness, Rory. Guinness: an official celebration of 250 remarkable years : history, ads, recipes.. London: Hamlyn;, 2009. 10 Subject The topic of the resource Culture Economy Rights Information about rights held in and over the resource Guinness Contributor An entity responsible for making contributions to the resource Emily Moses 9000 Year Lease Beer Dublin Guinness St. James's Gate