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                <text>The Confession of Perkin Warbeck</text>
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                <text>ca. 1499</text>
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                <text>Fred W. Bewsher</text>
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                <text>In 1499, Perkin Warbeck confessed to Henry VII of England about his true identity. He was the son of John Osbeck and Katherine de Faro. When he arrived in Ireland, he was assumed to be a wealthy man because of his attire he was assumed to be the Duke of Clarence’s son. He denied this allegation and then was determined to be Richard the Duke of York, son to King Edward IV of England by the Duke of Desmond and Kildare. He was forced to learn English and was sent to France to meet the King. He traveled from France to Flanders then to Ireland into Scotland and from there into England. This confession was evidence that he was not the son of King Edward IV of England, and therefore his claim to the throne of England was invalid. </text>
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                <text>http://www.hillsdalesites.org/personal/hstewart/Documents/(1499)%20Confession%20(Warbeck).pdf</text>
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                <text>Politics </text>
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                <text>Brendan Finucane, Fighting Against Neutrality</text>
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                <text>1938-1942</text>
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                <text>Brendan Finucane was also known as Patty. He was born in Dublin in October of 1920. He died in the RAF (British Royal Air Force) in July of 1942. This photograph of Brenan represents the group of Irish young men who fought in World War Two with the British Army. Although Ireland had declared neutrality, some of the population disagreed with the action. Brendan represented Ireland well. He shot down thirty two Axis planes. It’s interesting to note that not everyone agreed with De Valera’s decision to keep the country neutral. De Valera felt that neutrality would protect the Irish people. He felt that Ireland would have little, if any effect on the outcome of the war, but feared that the war would have a massive effect on Ireland. Obviously, some Irish men disagreed and felt the urge to join the Allies and fight the Axis powers.  To this day, Brendan Finucane with his clover emblazoned spitfire are recognized as one of the great fighting aces of World War Two. Brendan was not the only Irishman with a want to help the Allies cause. Some 50,000 Irishmen joined the British Armed Forces.</text>
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                <text>ww2aces.e-monsite.com. "Paddy Finucane- WWII aces."          http://ww2aces.e-monsite.com/pages/royaume-uni-u-        k/paddy-finucane.html (acessed 25 Feb 2014).</text>
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                <text>Sweeney, Mathew. "Irish Neutrality in World War II: Eamon      de Valera's Struggle to Protect Eire." &lt;em&gt;The Hanover                Historical Review&lt;/em&gt; (Spring 2009). Accessed 25 Feb 2014.</text>
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                <text>Lydon, James F. The Making of Ireland. London: Routledge, 1998.</text>
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                <text>Kelsie Cagle</text>
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        <name>aviator</name>
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        <name>fighter ace</name>
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                <text>Martial Law Proclamation from Dublin</text>
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                <text>May 26, 1916</text>
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                <text>The Lords Justices General and General Governors of Ireland</text>
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                <text>This proclamation of martial law was posted closely following the events of the bloody Easter Rising of 1916. This order was issued from the Castle of Dublin, the basic headquarters of the British presence in Ireland. This proclamation is a strong example of just how incredibly tense relations with the British government became, unsurprisingly, in these days leading up to the War of Independence. Internally, the question of Irish identity was debatable enough, and this outside pressure of the British crown and its commandeering presence in Irish politics and life only further confused the issue. "Loyalists" to the crown were well-recognized and present as they had been from the earlier days of the British colonization of Ireland, but in 1916 the seams started to tear. The tensions left over from the coming War of Independence would send Ireland into another bout of war, however, much like the days of ancient Ireland, this war would be internal.</text>
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                <text>Tierney, Mark, and Margaret MacCurtain. The Birth of Modern Ireland. Dublin: Gill and MacMillan, 1969. Print.</text>
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                <text>Tierney, Mark, and Margaret MacCurtain. The Birth of Modern Ireland. Dublin: Gill and MacMillan, 1969. Print.</text>
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                <text>Adelyn Gillon</text>
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                <text>Soup for the Poor</text>
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                <text>February 18, 1847</text>
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                <text>February 18, 1847</text>
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                <text>The Famine, 1845-1852</text>
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                <text>The Times (London, Greater London, England)</text>
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                <text>The Illustrated London News, 17 April 1847.</text>
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                <text>Newspapers.com</text>
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                <text>The Illustrated London News</text>
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                <text>These images are clippings from The Times (London, Greater London, England). The first image is Alexis Soyer's complete letter to the editor which includes two of his soup recipes. He believed that id followed they would be beneficial to the poor as well as others. In the letter he explains that these soups can be made at low cost and that it is important (even for the poor) to occasionally change soup recipes for digestive health reasons. At the end of the Soup No.1 recipe, as seen in the second image, Soyer guarantees this soup to be very good and nutritious. He bases this guarantee off the palates of numerable noblemen, members of Parliament, and several ladies who tasted it. The Soup No. 2 recipe is found in the third image and Soyer added this to show that the soup could be made at an even cheaper price and in less time if made in a larger scale. He ends the letter explaining how he intends to use these recipes and others not listed in his soup kitchens. Soyer had already established one soup kitchen for the poor at a small scale and when he had more investors he intended to open more. His soup kitchen became a model for all others during the famine. The last image was posted in The Illustrated London News on April 17,   1847 and is a depiction of what his kitchen looked like.</text>
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                <text>Soup Kitchens during the Famine</text>
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                <text>Economy</text>
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                <text>Lydia G. Godwin</text>
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                <text>Henry VII of England </text>
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            <name>Date</name>
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                <text>29 October 1505 </text>
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                <text>Unknown Flemish Artist </text>
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                <text>Henry VII of England is also known as Henry Tudor. Henry’s family is of the Lancastrian line, making him a claimant to the throne of England. After the death of King Edward IV of England, the fight for the throne once again resumed. Henry faced King Richard III at the Battle of Bosworth Field in 1485. He married the eldest daughter of King Edward IV, Elizabeth of York, thus tying the families of York and Lancaster together and ending the War of the Roses. Henry VII of England Reigned from 22 August 1485 to 21 April 1509. He was succeeded by his son Henry VIII of England. </text>
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              <elementText elementTextId="409">
                <text>http://www.npg.org.uk/collections/search/portrait/mw03078/King-Henry-VII?LinkID=mp02144&amp;amp;search=sas&amp;amp;sText=Henry+VII&amp;amp;role=sit&amp;amp;rNo=1</text>
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                <text>Art </text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="411">
                <text>National Portrait Gallery London</text>
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              <text>Newspaper article</text>
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                <text>De Valera's Condolences for Hitler's Death</text>
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            <name>Date</name>
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                <text>May 3, 1945</text>
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                <text>1945</text>
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                <text>The Irish Times</text>
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                <text>Article from a newspaper (the Irish Times)</text>
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              <elementText elementTextId="420">
                <text>Unknown. "Herr Hitler's Death: Callers at German Legation." &lt;em&gt;The Irish Times&lt;/em&gt;, May 03, 1945. (markhumphrys.com)</text>
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                <text>Keogh, Dermot. "De Valera, Hitler, and the Visit of Condolence May 1945." &lt;em&gt;History Ireland&lt;/em&gt; 5, no. 3 (1997) Accessed 25 Feb 2014. http://www.historyireland.com</text>
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                <text>Keogh, Dermot. Twentieth-Century Ireland. New York, N.Y.: St. Martins, 1994.</text>
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                <text>War</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="422">
                <text>The Irish Times</text>
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                <text>The above newspaper article from the Irish Times represents a major controversy involving Ireland shortly after Hitler’s death. De Valera, despite his vow of neutrality throughout the war, he went to the German Legation to offer condolences for Hitler’s death. This was confusing for many people, especially with all of the negativity surrounding Hitler and the Nazi party. De Valera received an overwhelming amount of worldwide media attention. The United States newspapers gave him a very hard time about his visit with the Germans. Many could associate with a letter written by Angela Walsh from New York, “Have you seen the motion pictures of the victims of German concentration camps, de Valera? Have you seen the crematoriums? Have you seen the bodies of little children murdered by Nazi hands? […]  Have you seen the living dead, de Valera? Skin stretched over bone, and too weak to walk?” However, De Valera said that he was just being diplomatic. “I could have had a diplomatic illness but, as you know, I would scorn that sort of thing…So long as we retained our diplomatic relations with Germany, to have failed to call upon the German representative would have been an act of unpardonable discourtesy to the German nation and to Dr Hempel himself. During the whole of the war, Dr Hempel’s conduct was irreproachable. He was always friendly and invariably correct—in marked contrast with Gray. I certainly was not going to add to his humiliation in the hour of defeat.” It’s understandable why the actions of De Valera caused such uproar, but one must always try to look at things from that “diplomatic” attitude. </text>
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            <name>Contributor</name>
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            <elementTextContainer>
              <elementText elementTextId="676">
                <text>Kelsie Cagle</text>
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        <name>De Valera</name>
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        <name>newspaper</name>
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        <name>the Irish Times</name>
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        <name>World War II</name>
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        <src>https://carmichaeldigitalprojects.org/ireland/files/original/6e2a81ff29b55cfa515747e26fd3cb73.jpg</src>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="445">
              <text>photography</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="437">
                <text>The Belfast Blitz</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1941</text>
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                <text>1941</text>
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            <description>An account of the resource</description>
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                <text>The fact that the Irish declared neutrality in the war seemed to not matter much to the Germans. It is important to note that since Northern Ireland was part of Great Britain, they were technically at war despite the declaration of Irish Neutrality. The once ignored Belfast drew attention to itself as it grew to a large ship building port. Unfortunately, the German’s conducted raids over Belfast more than once, three times to be exact.  One of the German bombing blitzes on Belfast left thousands dead or homeless. It is interesting that despite the German bombing on Belfast De Valera still offered his condolences when the Nazi leader Hitler passed away. One would think that after having the Germans encroach upon their homeland after they had declared a state of neutrality they would take up arms. </text>
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              <elementText elementTextId="441">
                <text>Second World War in Northern Ireland. "Belfast Blitz Then &amp;amp; Now." 2014. http://www.ww2ni.webs.com/belfastblitzthennow.htm (accessed 25 Feb 2014).</text>
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              <elementText elementTextId="442">
                <text>Belfasthistory.net. "Belfast History | The Blitz." 2007. http://www.belfasthistory.net/the_blitz.html (accessed 25 Feb 2014).</text>
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              <elementText elementTextId="677">
                <text>Keogh, Dermot. Twentieth-Century Ireland. New York, N.Y.: St. Martins, 1994.</text>
              </elementText>
              <elementText elementTextId="678">
                <text>Lydon, James F. The Making of Ireland. London: Routledge, 1998.</text>
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            <description>The topic of the resource</description>
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                <text>War</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="444">
                <text>Second World War in Northern Ireland. "Belfast Blitz Then &amp;amp; Now." 2014. http://www.ww2ni.webs.com/belfastblitzthennow.htm (accessed 25 Feb 2014).</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="674">
                <text>Kelsie Cagle</text>
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        <name>air raids</name>
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        <name>Belfast</name>
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        <name>bombing</name>
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        <name>Nazis</name>
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        <name>World War II</name>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Soup: Suggestion or Command?</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>December 31, 1846</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1845-1852</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Poor Relief Commissioners, Dublin</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This image is a notice from the Poor Relief Commissioners of Dublin to Cork Poor Law Union.  The Commissioners are recommending setting up Soup Kitchens to feed those who were suffering from starvation. At first glance it seems like a simple recommendation, but upon second glace you see it is much more. The go as far to tell them what soup to cook, providing a recipe for Soup No. 1 which was supposed to be nutritious and cost effective. For a further look at Soup No. 1 refer to the item entitled Soup for the poor. </text>
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            <description>A language of the resource</description>
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                <text>English</text>
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                <text>Soup Kitchens during the Famine, 1845-1852</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="453">
                <text>Cork City and County Archives: &lt;a href="http://www.corkarchives.ie/onlineexhibitions/"&gt;http://www.corkarchives.ie/onlineexhibitions/&lt;/a&gt;</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="454">
                <text>Economy</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455">
                <text>Cork City Council</text>
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          <element elementId="37">
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            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="615">
                <text>Lydia G. Godwin</text>
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        <name>1845-1852</name>
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        <name>Cork Poor Law Union</name>
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        <name>Dublin Poor Relief Commissioners</name>
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      <tag tagId="50">
        <name>Famine Aid</name>
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      <tag tagId="139">
        <name>Soup Kitchens during the Famine</name>
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        <name>The Famine</name>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="469">
              <text>Photograph</text>
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            <elementText elementTextId="470">
              <text>Political Cartoon</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>De Valera the Neutral</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="460">
                <text>1932-1948</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1932-1948</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="462">
                <text>Hulton Getty</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="463">
                <text>Even though there seems to be some ill ideas about De Valera, he does deserve the benefit of the doubt. He stated multiple times that his purpose for neutrality was to keep Ireland safe. De Valera stated, “We are fully aware that this policy does not guarantee the country immunity from attack. There is always the possibility of attack should one side or the other decide, during the progress of the war, that the circumstances are such that the resultant advantages to the hostile invasion need be feared from one side only. But, so long as we are neutral, there is a possibility that the danger of attack may be averted; whilst, if we invite military assistance from one side, immediate attack by the other side, with al it consequences, will be almost inevitable” (Keogh 114-115). It is confusing to decipher De Valera’s true intentions during the war; his actions often sway hard one way or the other. &#13;
De Valera’s actions were the object of much scrutiny and laughter. It can be seen in things such as this political cartoon, that one can see what the rest of the world thought. They felt that he would overlook the human rights of other countries just to keep his own country afloat. It is difficult to discuss De Valera without being swayed to feel one way or the other about him. This is obvious in literature about him. The important thing is to try to understand why he may have acted the way he did. Perhaps then, can we understand the actions of De Valera. &#13;
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="464">
                <text>Jackson, Alvin. &lt;em&gt;Ireland&lt;/em&gt;, 1798-1998. Oxford, UK: Blackwell Publishers, 1999.</text>
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              <elementText elementTextId="465">
                <text>Second World War in Northern Ireland. "Belfast Blitz Then &amp;amp; Now." 2014. http://www.ww2ni.webs.com/belfastblitzthennow.htm (accessed 25 Feb 2014).</text>
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                <text>Keogh, Dermot. &lt;em&gt;Twentieth-century Ireland&lt;/em&gt;. New York, N.Y.: St. Martins, 1994.</text>
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                <text>Lydon, James F. The Making of Ireland. London: Routledge, 1998.</text>
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                <text>This is an illustration published in the Illustrated London News on January 16, 1847. The illustration depicts the Society of Friends Soup House in Cork County. The Society of Friends, also referred to as Quakers, quickly saw the need for relief in Ireland as soon as they heard about Ireland distressing state. They responded by establishing relief funds and committees. One of their relief efforts included opening Soup Kitchens across Ireland. Their soup kitchens, along with others, helped feed those suffering from starvation. For more information regarding the Society of Friends relief efforts during the Irish Potato Famine and how they began their efforts refer to item number 37: "Distress in Ireland". The generosity of the Quakers was given freely and without the practice of required religious pledges.</text>
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                <text>University College Cork, Ireland ( &lt;a href="http://multitext.ucc.ie/d/Image_The_Cork_Society_of_Friends_Soup_House"&gt;http://multitext.ucc.ie/d/Image_The_Cork_Society_of_Friends_Soup_House&lt;/a&gt; )</text>
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